Also, elsewhere, talking large language models, image generation and everything related to that:

Miyazaki himself has called AI “an insult to life itself,” while fans of his work happily and unwittingly feed the hungry AI machinery with opportunities for iterative practice, helpful feedback, and subtle signals for improving the technology along the way. All while completely disregarding the crooked practices that went into sourcing content for the models, and totally disrespecting the opinions and wishes of the creators of the original art upon which these cheap derivative imitations are fabricated.

Watching this happen is really frustrating. Watching artists see the time and talent and passion that they put into their work being so casually devalued by an increasingly effective array of smoke and mirrors (while simultaneously witnessing the harmful ecological side-effects, as some kind of demented cherry on top) is even more frustrating. And then for me, personally, being asked to weigh in on this, to take a strong position and ban the use of this technology within the omg.lol community, well, that’s extra frustrating. But it’s happened a few times in the past 24 hours, and so here I am talking about it now.

I'm having quite mixed opinions on most of the AI and LLM topic going on out there for a bunch of reasons, somewhere in between the general attempt to be basically open in regards to benefits and hazards, advantages and negative side-effects of whichever tool comes up next - and bad gut feelings on many different levels, including distribution of power due to model control, hardware costs, energy consumption, infrastructure spent on such tools, and including effects like these. For this very aspect and in this situation however, once again I completely side with Adam and his rather well-written article, as well as the conclusions he is about to make here. Worth reading.

https://omglol.news/2025/04/02/we-have-to-talk-about-ai-art

Interesting find, picked from one of my timelines

Cara.app is a relatively new social media platform: a kind of fusion between an Instagram timeline with a share button, and an Artstation portfolio layout on the user's profile. Almost every artist I know is opening a Cara.app profile right now and posting about it on every social media site. Some influencers, like industry veteran Bobby Chiu, even praise the platform and openly urge everyone to move to it.

https://www.davidrevoy.com/article1032/a-critique-of-caraapp-the-no-ai-instagram-and-artstation-copycat-child

As cara.app hit my circles before, too, I found this worth reading. Specifically I agree with most of the things mentioned in (8). Though this focus on "having instances" of something and  "decentralization" (...) in an ActivityPub understanding of things to me slowly seems to show all of its technical and conceptual drawbacks, introducing yet another platform that is essentially a walled garden with data stored on one system of one legal entity doesn't seem what one would expect in 2024.